Little Old Lady … in Waiting

Tag: play

  • Embracing the Crone

    “The crone must become pregnant with herself, at last she must bear herself, her third self, her old age, with travail and alone. Not many will help her with that birth.” (No Time to Spare – Ursula K. Le Guin)

    “When howling gale is rattling doors, or call of lonely wolf is heard, or cry of raven on the wing, or crack of frost upon the ground, tis she, tis she, tis she. (Calleach – Siobhan Mac Mahon)

    Less than a week before Christmas, when family matriarchs are customarily exiled to Santa’s sweatshops, wrapping gifts like Edward Scissorhands, and frosting shortbreads until our collective glycemic index reads “critical,” I decided to take a night off from the Christmas chain gang. I ventured out on a dark and stormy night, in the company of a close friend of comparable vintage, to attend a workshop that promised to introduce, depict, and interpret the power and majesty of the Crone, a feminine archetype, traditionally the last in a triad, after maiden and mother.  The Crone, often portrayed in our culture as a warty hag, complete with kerchief and shawl, is cast as the most powerful as well.   A sage, a witch, a guardian, a memory keeper, a storyteller…these are just a few of the crone synonyms we might try on for fit, as we move into this last, magical, and mysterious phase of feminine folklore.

    The workshop was led by a woman who called herself a ceremonialist, a Cailleach, or “veiled one” in Gaelic mythology, who helps people transition through significant life events.  Like so many formative moments in a woman’s life,  it began with a fairy tale and the promise of a little-old-lady felted doll of our own making by night’s end, so we charged our tenuous social batteries, did battle with our homebody hearts, discussed whose eyesight was least perilous for an after dark adventure, packed a journal and a sacred object, as directed (Jesus …will there be sharing), and set off on our quest to Encounter the Crone.

    Sat close to the sea in a small conference room, the wind outside serenaded us like a siren call, a slow whistling sea shanty, and the doors rattled loudly, heralding the night’s import, like the ghost of Christmas past. We were offered tea and invited to sit around a makeshift altar decorated with bones and stones and candlelight.  We added our own holy relics: jewelry passed down from our mothers, artwork, a pinecone, a bird, a doll, the shell of a sea urchin, a heritage Christmas angel, and a witch stone, known for its magical protective properties. We were 12 women together, artists and academics, nurses, and teachers, travelling in the dark, a winter’s walk to honour our experiences, mine for meaning, and navigate together a transformation to feminine elderhood, a privileged freehold of wisdom and authenticity, sovereignty and self-possession. The magic in the room was a palpable thing…not enough to levitate… first time out mind, but strong enough to elevate us all.  I’m certain it surprised no one in the room when the lights went out and we were forced to close our circle prematurely, but not before we built something true and lasting together.

    The fairy tale recited so beautifully by our host was the story of Vasilisa the Beautiful, a kind of hybrid Cinderella and Hansel and Gretel.  Our heroine, Vasilisa, is gifted a tiny doll with magical properties from her dying mother, that protects her throughout a perilous journey to safety.  Spoiler alert she lives a full life and eventually returns to her origin story, living out her days as an elder in the forest.   The tale is simple but rich in imagery and metaphor.  We were asked to share the images that lingered in our mind’s eye.  The death scene between mother and daughter and the gift of legacy, chicken legged furniture, the impossible task of finding poppy seeds in dirt, a metaphor for discernment, and a fire torch crafted from a skull, the instrument that leads to the story’s denoument, all had honourable mention.

    For me, the lasting power of the story was not an image but an incantation.  Vasilisa called upon the power of the doll reciting, “Little doll, little doll, drink your milk my dear, and I will pour all my troubles in your ear, in your ear.” The notion of a talisman for the storms of life, a mother’s magic, an enchantment to conjure a place of safety in our darkest hour, when we’re not sure our own strength will hold; to call on the inherited love of our ancestors and open a portal of protection, or peace abiding….definately worth the price of admission. Were we leaving the workshop later that night with such a prize in our possession, a felted doll infused with magic, a protective cloak spun from our collective sacred offerings? What sorcery was this?  I started thinking maybe I should leave the house more often, even as a tempest raged outside, and Christmas at ours, still only half conjured.

    Properly incentivized we turned our attention to working with archetypes.  We chose a role from the alter at the center of our circle. Interestingly no one chose the same archetype.  There were so many wonderful choices.  I passed on Hag, and Old One, Elder and Witch.  Hearth Keeper and Herb Wife didn’t quite fit either.  We had a Weaver and a Word Witch, I remember. My friend, selected Sage.  A new grandmother, she is interested in legacy building and passing down family tradition and wisdom.  I picked Storyteller.  I’ve always been addicted to story.  It’s my preferred way to learn.  For me it’s high art, allowing us to live a thousand lives in one, a talisman against loneliness, a cure for myopia and polarization.

    After sharing our selections and thoughts around the archetype alter, we moved, some of us more tentatively than others, to worktables set up for needle felting, a dangerous, dexterous art, that comes with small sharp stabbing needles and raw wool to be shaped and prodded into small objets d’art, a felted little old lady…in waiting.  I wish I could tell you there was no blood lost but I’m sure I wasn’t the only hag there to stifle a silent scream that night as the needle pieced my presumably pre-loved stabbing pillow, and caught the delicate skin beneath my fingernail.  Maybe the bloodletting is part of the spell, maybe human sacrifice is the elixir that makes the doll magical.  All I know is that I stabbed my doll a thousand times or more before she came to life in my hands and the stabbing was oddly therapeutic (“psycho -killer…qu’est-ce que c’est”). I plan to continue my felt making education and have already created a companion for my doll, but maybe I’ve shared too much. Still, friends are important…even felted friends.

    The power went out when I was attempting to style my doll’s hair.  Every woman will understand the import of such a moment.  Our felting mentors came to the rescue and held cell phone flashlights for us to finish this crucial phase in the work. Suffice to say, I was never so happy to own such unruly, unkept tresses. It was the work of a moment to complete the effect and even in the dark I recognized the crone I held in my hands as my own, a story keeper and maker, a sovereign in the final decades of her reign, confidant in her unique gifts, generous in her attention to those she held dear, and determined to live intentionally, according to her values and passions until her last moments in this realm. 

    I was afraid the storm raging outside would prevent our eclectic circle from sharing our thoughts on the dolls we created. Insatiably curious, I had an almost visceral need to know how the others would answer the last question on the agenda for the  night, “If your inner doll could speak to you tonight, what would she say?”  One doll spoke of cultivating more trickster energy, to seek opportunities to laugh and have fun, another counselled that there was always something new to learn and explore, others said to ask for help and not to imagine we can do it all ourselves, that it’s ok to be messy, to rest, to be steadfast, to practice unconditional self-love, to keep moving, to offer guidance, to stand in the wind, to practice childlike wonder, and to embrace and celebrate all the beauty within.

    I know the doll is just a small, symbolic, hand-built ornament, but it feels so much bigger than that to me. I know we make our own magic, but I also know that there was a wisdom teaching waiting for us in the dark that wintry night, an introduction to “crone-ology,” a threshold for letting go of all that no longer serves us and a turning point in the pages of our story.  You may cackle, but I have plans to build my doll a small house with a door that opens with ease, so whenever I need to hold her close and feel my mother’s magic near, I’ll find her waiting for me there, her spell unbroken, a warm cloak of protection against the storms of life.

  • The Richness of Retreat

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    “Silence is also a conversation” – Ramana Maharshi

    “Be a loner. That gives you time to wonder, to search for the truth.” – Albert Einstein

    I have never lived alone, and at 59 and a half, I can count on one hand the number of nights I’ve spent alone in my home.  So, when my daughter announced that she was off to Australia for a fortnight, and asked if I might cat sit, I decided to embark on a private retreat of my own, a silent, mind-spa staycation, an experiment in the single life, an escape to a ‘room of one’s own’. The setting was LOLIW perfect… posh, urban, ceilings to God, a spiral staircased brownstone apartment in the heritage quarter, the dream home of a much younger version of myself.  The street was Orange, the mood, indigo, and the first song I danced to, with abandon, in far too many years, was Yellow.

    I have always shared living space with close friends or loved ones.  I have never experienced the kind of solitude and silence that singletons exalt in daily, the bliss of soundless mornings, the peace of uninterrupted afternoons, the effortless, evening meal for one, or the coveted hours spent in one’s own sweet company, time whiled away without reference to the wishes or inclinations of another living soul. To keep one’s own good counsel and consult no one else (save an agreeable cat with excellent manners and clear boundaries) on how best to spend the day…what a gift to give yourself, perhaps most especially as a little old lady in waiting. There is a magic to be mined, an enchantment, a real richness of experience to be savoured in retreat. 

    As with any adventure, I overthought and planned every minute detail down to the quick. I packed separate bags for the gym, for work, and for pickleball. I made sure to include enough loungewear and smalls to avoid even the notion of laundry, and a series of comfy sweaters and toasty wool socks, as you do, unfamiliar with the heating in my new abode, a Canadian girl down to  my bones. One can’t be too careful when it comes to creature comforts.  I prepared and packaged enough food to last me about ten days, individually portioned, so I wouldn’t be troubled with cooking or cleaning dishes during my retreat.  I planned to supplement my defrostables with a few evenings of restaurant meals, I was on vacation after all…there were friends to be met, and those naan nachos from Thandi’s are a siren call that cannot be ignored.

    My car was already packed the morning I set off to drive my daughter to the airport. I kissed my husband and hugged my son and small geriatric dog goodbye.  A little old lady herself, I had a quick word and cuddle with my last true dependent.  I let her know it was alright if she had an accident or two in my absence, as the menfolk aren’t as attuned to her bathrooming pecadillos, an easy concession as I wouldn’t be there to look after any mess.  I wished her well and promised to make it up to her.  We settled on half my breakfast bacon for a period no shorter than one year, and a promise that she could come away with me next time.  Oh yes, spoiler alert, there will be a next time.

    After imparting a steady stream of last-minute motherly advice to my savvy, world travelling daughter, advice she did not need, but tolerated as best she could, I watched my baby pass through security, before discarding whatever illusion of control I still harboured, and then, mentally slipping off my mother cape, a favourite cloak, I turned with a little tear in my eye, before going dark, the start of a full-blown smile forming on my lips. I was a stranger in a strange land, alive to the endless opportunities that waited for me. I decided on a quick stop to Costco (I mean …I was in the neighbourhood) for a few emergency supplies…ready made bacon, the Christmas fruitcake (singletons host friends too) and then it was straight back to the little uptown palace I would call home for the next two weeks, party of one.

    I made my escape in mid-November, an excellent time of year for retreat, just at the onset of the introspective months of the Canadian winter, but before the circus of Christmas pageantry that engulfs most matriarchs in December and doesn’t let go until after New Year’s day. For the first few days I sat in a kind of meditative slumber, wonderstruck by the tidied rooms, the luxurious silence, the fragrance of aloneness, the cadence of a single set of steps. I floated from room to room, I listened to the voice of a girl set free from a set of inherited instructions for living, a voice that spoke softly at first, but eventually commanded my entire attention. 

    Most of what she told me is private of course, you understand, what happens on Orange stays on Orange, and anyway it would probably be lost in translation.  I can share that I never once felt lonely during my retreat, that it took several days to miss the loved ones I live with, and if there were any monsters under the bed I slept in alone at night, they kept to their dark recesses and didn’t intrude on my peace. Suffice to say, I was away long enough to remember that there is no better counsel than your own, there is no truer friend than yourself, and if you’ve been neglecting that friendship, then it is time to take yourself away for a long overdue conversation, the kind where you listen more than you speak. Our words can physically influence the world around us, most especially the words we recite incessantly to ourselves silently, in a closed circuit.  The truth is that every cell in our body is listening to us, which makes the quality of the interior dialogue so critical. Do we settle for questions like, “what’s for dinner?” or even “where to travel next year?”  or do we ask ourselves how we might best build joy today? Or “what exactly Elliot meant when he wrote, “I grow old…I grow old…I shall wear the bottoms of my trousers rolled. Shall I part my hair behind?  Do I dare eat a peach?’

    If you, like me, prefer Elliot’s poetry to a cookbook, these are the essential rules of retreat. There must be quiet. Your mind must be calm and unleashed from the concerns and demands of those closest to you.  So much of our action in life is economically or socially determined. Even love can feel like a Chinese finger trap some days. As we get older the claims of our immediate environment, our preferred living arrangement, can be so pervasive that we can actually lose sight of ourself in the family photograph, beneath the Wifee sweatshirt, behind the sacred veil of motherhood, to the woman who waits within like a nested Russian doll. We can become so consumed with what we perceive as the requirements of daily living; nutritious meals, a tidy home, daily exercise, the social scene, that we forget ourselves and our real work, discovering and exploring the beauty and mystery that lies within.

    Finding a quiet place to stoke your inner fire is an essential and sacred ritual, an absolute necessity for every little old lady in waiting. If you can’t get away for a dedicated retreat, then lay claim to a certain hour every day, a space of time inviolate to family or friends, where the news of the world cannot reach you, and where you do not recognize or acknowledge what is owed to others.  A space where you are free to simply experience who you are, and what you might be, a place of creative incubation, a venue to challenge your everyday assumptions, to grow, to follow the winds of your own inclinations, to feel your courage, and to care for yourself, like the treasure you are.

    At first it may feel like you’re wasting time.  If that is your experience, at least initially, I would encourage you to hold fast, it is, after all, your time to waste. We have a limited lease of time apportioned to each of us, and whether you spend that time truly awake or asleep in the detritus of daily living is entirely up to you.  Life has no pause button or rewind setting.  If you read this blog post all the way to then end, each of us is 5 minutes closer to our demise than when you started.  If you can stay present to this moment, if you can be here now, and genuinely engaged in pursuits that bring you joy, then you know the secret to a beautiful life. So often we become embroiled in activities we do not relish and have not chosen for ourselves but believe are required of us.   Fresh from my retreat I have begun to question everything I habitually tell myself needs doing. I engage in small acts of rebellion as often as possible.  I eat cereal for dinner some nights, my bed often goes unmade, sometimes I skip the gym to write or read …there is a feathery owl atop my Christmas tree this year, slightly askew, and it has never looked more beautiful to me.  I hold space for myself to wonder and to consider questions outside the realm of my daily routine. “Do I dare eat a peach?”

    It’s true that to create a pleasant and harmonious environment in our lives together with loved ones we need the cooperation of all those we choose to hold close in our immediate circle, but pleasure carried within ourselves, within our own body and mind, and within that part of ourselves that has no name, that is our business alone. This dark season of early nights and twinkling lights, I wish for you a happy retreat…I invite you to cast your eyes to the wintry sky, to stand alone sometimes, to “look at the stars and see how they shine for you.”

  • In Conversation with Kate Elman Wilcott

    I first met Kate in the home of a mutual friend a few days before our first-born sons, both redheads, set off on a grand adventure, the public school system. I remember we talked about phonics and kindergarten teachers, A Mrs. Fox, and a Ms. Roach, aptly named for the wild animal tamers they turned out to be.  ‘Let the Wild Rumpus’ take a seat…at least until recess.  While the boys toiled at school, we packed up our preschoolers and headed out to each other’s homes, together with a few other like-minded women, and while the littles mingled, we formed a small wolf pack of our own.  We called ourselves the Coffee Mommies, but don’t let the name fool you…there was enough intellectual energy and collective sweat equity sat around those suburban kitchen tables to take over the world, and still be home in time to help with homework.

    I learned a lot about Kate Elman Wilcott during those years. I can tell you that she is a builder.  After earning a degree in Theatre from Dalhousie University, Kate spent the 90’s in Halifax, returning to Saint John in 2001, where she continued to build and expand on an eclectic teaching career in theatre, notably through her very successful not-for-profit venture, Interaction, a children’s theatre.

    Kate has built innumerable theatre sets, and produced countless theatrical productions, while simultaneously engineering a thriving playground for the arts in our city, principally for the youngest members of our community, and in doing so, has helped to build confidence, self-esteem, empathy, and a lifelong appreciation of the arts in a cohort of young minds.

    “Training in the arts is so good for kids.  If you just focus on the people you’re working with and build a strong group dynamic, creating a safe space where people can take risks and figure out what works and what doesn’t… if you just focus on that process, then the product is guaranteed to be great.  At the same time, you’re always working to deadline…the curtain must go up.  I was very much conditioned to work to that deadline because at 7 o’clock on a Friday night at the Imperial Theatre with 600 people in the audience, the show must go on. That’s great training for any career.” 

    As the former Arts and Culture Coordinator for the City of Saint John, and a recognized leader in community development within the region, Kate has worked as a teaching artist, producer, facilitator, collaborator, and director. Her professional and volunteer experience includes policy development, university lecturer, developing public safety protocols, organizing community events, fundraising, and even touring with Symphony New Brunswick. She has performed in an award-winning film, played the bass, trumpet, piano, drums, and guitar in a series of bands, and was named a YWCA Woman of Distinction.  She sits on the Harbour Lights Board and is currently at work writing a series of stories based on anecdotes from her studios.

    Presently serving as our Member of Legislature for Saint John West Lancaster, Kate is at the helm of a very busy constituency and is out working hard most days to build a better province for all of us to enjoy.  At an age when her peers are winding down and looking to divest responsibility, Kate, with her deep-rooted work ethic and sturdy moral compass, is taking on a greater community role, exemplifying the credo of a favourite literary detective, “Everybody counts, or nobody counts.” Kate is an honourable human being, a neighbour you can count on…the kind you want to run for office and represent you, to sift through the politics of competing interests, to search for solutions, and build a better world where we can all belong.  She has my respect, she has my friendship, and she will always have my vote.

    Tell me your life story in seven sentences or less? 

    Ok… so, let’s go backwards for the origin story. I’m the MLA for Saint John West-Lancaster and have served in this role for just over a year, and prior to that I was the Arts and Culture Coordinator for the City of Saint John. For 18 years I ran a non-profit arts organization that focused on community development through the arts, which I founded in 2001 when I moved back to Saint John from Nova Scotia. During those years I also raised my two children and a couple thousand more that I worked with in my studios and in schools throughout southern New Brunswick. I spent the 90s in Halifax, studying and working at Dalhousie University, and professional theatres and schools across the province; that’s also when I met my favourite person in the world who’s been by my side since 1992…that’s my husband, Mike.  And before that I was a west side kid who loved to climb trees, and swim at Dominion Park, and play music, and act in plays, and play sports. For the first two weeks of my life, I lived at 53 Elliott Row, before the Elmans moved to the west side, where I’ve lived ever since.

    What is the best thing about getting older?

    Ok so when I was young, you’re often focused on getting to move on to the next phase of life…so middle school to high school, or graduation from university to the career world. But when I hit 50, I realized that the best part of life is who I am right now. It changes… I change each day with new experiences, but I enjoy being the age I am now, and while I know that I have opportunities ahead of me, I also know each day is to be savoured. And by savoured, I mean we have work to do, and we have to get it done. I fully feel with every ounce of my being that we’re here to serve and make the world better for each other, whether it’s through charity, or making people feel they belong, or nurturing, or entertaining, or problem solving. It’s our legacy and our purpose. I also embarrass far less than I did as a younger woman, and I like that.

    What is the worst thing about getting older?

    The little physical things I guess, that remind you that you’ve lived a good life. The aches and pains remind us that we’re still here…some of them I wish I didn’t have. My dad is 94, his sister and brother-in-law are 92 and 93, and they have such amazing humour and chutzpah…a certain mindset. I can only hope to be as blessed.

    One of the absolute worst things about getting older are the targeted ads on social media. The algorithms that think I really want to do chair yoga, or buy progressive lenses, and I really want to lose 30 pounds this month, or help my daughter raise her 13 kids on the farm. It’s insulting.

    What would you title this chapter of your life?

    GSD (Get Shit Done)

    If you could retain or retrieve one quality from your youth, what would it be?

    The boundless energy and time. I like to think I have managed to hang on to the inner workings of youth. Maybe it’s because I spent so many years playing with young people as my career, or maybe it’s because age…ahem maturity, never seemed like a good enough reason to stop playing, and that’s probably because my coworkers were teenagers for many years and that was very nourishing. I’ve never given aging a lot of thought … it was never something I placed above being genuine and kind…or just being myself.   My grandmother lived to 94 and she lived with us in her 90’s, and I remember in my 20’s shooting baskets in the driveway and she would come out and shoot baskets with me and to me that was normal.   My mom who died at aged 84 was doing yoga until the very end and had a chin up bar in her closet.  I think I’ve managed to hang on to the playfulness of youth, because that’s how I was raised and that’s the perspective I have, but it’s the time and energy that is imbalanced.  I think of my father, a mischievous charismatic prankster at 94. I guess we never appreciate what we have now, comparing ourselves to our 20-year-old selves, but why?  Sure thirty-five-year-olds have it good, but they don’t realize they have it good.

    What’s the most important lesson you’ve learned so far?

    Oh, this was a hard one.  Living a public life brings with it so much, but at the end of the day just knowing that you were honest and true and worked damn hard, is the greatest way to fall asleep. That’s not a lesson I needed to learn myself but one I need to remind myself of when the work gets hard to turn off. I wore the weight of a lot of little people’s lives and their turmoils for decades, and later as a municipal worker with a portfolio working with various demographics and files, and now the lives of constituents and people all the over the province. There will always be buzz and easy trolling comments flying around, but I know I’m solid with people close to me who are good, kind, and honest. And people can disappoint you, but that’s on them more than it’s on you. At the end of the day, we have our own truth and I sleep well at night.

    Do you have a favourite quote?

    It’s a quote by Viola Spolin, who was the premiere leader in the modern improv world, Spolin was a large influence on my approach to creating with others, and I still use her ideas today.

    “Through spontaneity we are re-formed into ourselves. It creates an explosion that for the moment frees us from handed-down frames of reference, memory choked with old facts and information and undigested theories and techniques of other people’s findings. Spontaneity is the moment of personal freedom when we are faced with reality, and see it, explore it and act accordingly. In this reality the bits and pieces of ourselves function as an organic whole. It is the time of discovery, of experiencing, of creative expression.”

    I spent almost 30 years teaching and directing in studios and rehearsal halls, and the majority of that time was focused on play and intuition. I also used this theory to work in non-theatre environments such as corporate groups that needed a refresher on group dynamics, or classrooms, and community groups. Sometimes a person can get so bogged down on “the way it’s always been done” or “the end goal has to be…” or “they just don’t behave the way I want them to…” and this mindset of comfort can prevent progress or reaching the goal.

    Do you have a favourite word?

    ‘Yes.  Well, I have far too many favourite words but a word I use a lot is a Yiddish word, chutzpah. Chutzpah doesn’t just mean character, charisma or moxy…it’s very nuanced, like a lot of Yiddish words.  You know it when you see it. Sometimes it can mean a little mischievous, sometimes it can be a bit darker, but it’s always said in a positive way. My dad and his friends at The Villa… they have a lot of chutzpah.’  I ask Kate if she has chutzpah.  She smiles in a reflective, playful way and says, ‘yes, I have chutzpah, and I can up the chutzpah ante when needed.’

    Describe your perfect day.

    Well, I thought it was last Thanksgiving Sunday and then I stepped on a nest of yellow jacket hornets… but really it was a beautiful day.  We brought our Thanksgiving dinner up to the cottage.  I think everybody was at peace that day…until the peace was dispatched by the yellow jackets.  A perfect day for me is a day surrounded by the people I love; walking along city streets and popping into good coffee shops or a pub; being in a studio and creating with people; playing in the woods; learning; great conversations; time spent with my children; and a great meal made by Mike, which is every day.  

    If you could have tea with anyone, real or fictional, dead, or alive, who would it be and what would you talk about?

    Well, first of all, I wouldn’t have tea, I think I’d like to host a dinner party…Mike would cook. There’s a great play called Top Girls by Carol Churchill, and the second half of the play is a dinner party with all sorts of more obscure famous chicks: Pope Joan, Dull Gret, Isabella Bird, Lady Niko…I saw the play when I was 22, it was staged when I was at Dal, and I have often pondered who I’d invite over the years. I prefer a feisty dinner party to a quaint tea. 

    I would absolutely love to spend time with my mom, and my mother-in-law who passed away in August, both of whom still had so many stories to tell, and my grandmothers as well… I would love to be able to talk to them at this point in my life. My mother had me when she was 43 and she passed when I was 40 so I didn’t get to experience that relationship as a more tenured woman.  I would love to share some of my more recent life events with her.  Both of my grandmothers were kick-ass women who quietly but boldly broke the glass ceilings of the early 20th century in their own ways. My paternal grandmother was one of the first women to drive in Saint John, and my mom’s mom ran a business. 

    You know there is a great photo wall in Fredericton in Chancery Place of all the female MLAs who served in New Brunswick, some living, and some passed… I’d like to invite a few of the pioneer female MLA’s as well, and at the head of the table I would seat our current premier, Susan Holt.

    Tell me three things that bring you joy.

    Hearing people laugh.  I like following the lives of the kids that I’ve worked with over the last 35 years, seeing them grow, and following their adventures as adults.  I’m also extremely happy organizing something in the community and then standing back and seeing people connect and find their joy…that brings me joy.

    I absolutely love the camaraderie my little family has. We don’t have much time together lately but those stolen 48 hours when there’s a weekend visit or a stopover are the absolute best.

    Name a guilty pleasure.

    I don’t think I feel guilty about anything, but I do enjoy taking naps during movies and a cozy night in…they are few and far between these days.

    Do you believe in life after death? What does it look like?

    I believe that we stick around through the energy and work that we do while we’re here. It’s like we are little ripples in time. I know that there are people who came before us, either blood relatives or mentors who are living on in the work I do, in lessons I’ve passed along to children who are now teachers and parents, so if that is living on after we die then yes, there is a life after death. It’s a very agnostic way of looking at things, and I also think it’s important to focus on the here and now. 

    What would you like your eulogy to say?

    Oh, I couldn’t possibly start with a eulogy…it’ll be a long party.  But the epitaph would probably read “….and curtain” which can signify the end or the beginning.  The curtain opens and closes the play.

    Authors note:

    I have included an additional question to the LOLIW interview this session: What would you title this chapter of your life?  I was curious how previous interviewees might answer as well…so I asked them.

    Sr. Rhona Gulliver

    “Wisdom, Wit, and Woolies”

    Dr. Margaret Anne Smith

    “The Intentional Years”

    (Iwona) Maria Kubacki

    “Ch-Ch-Changes”

    Margo Beckwith Byrne

    “Coming Full Circle”

    Shova Rani Dhar

    “Renaissance”

    Jan Lucy

    “Revival”

  • In Conversation with Jan Lucy

    I wasn’t looking for a new friend when I met this captivating woman.  She was waiting for me in what we now refer to as the ‘therapy pool,’ the LOLIW early morning aquacise class at the local YMCA.  A large part of me believes she was sent to me by someone who now ‘walks invisible.’ Jan’s scientific rationalist core would smile at the notion, but there are days when I believe I have her half convinced in the power of a good God Box.  Exquisitely kind, intelligent, politically progressive, community minded, and sea-loving, Jan moved to Saint John from Ontario with her husband, Don, three years ago to be close to the water in retirement. 

    Graduating with a degree in English from the University of Guelph, a proud Guelph ‘Griffin’, excelling in competitive swimming, Jan lived and worked for much of her career as a campus administrator at a satellite campus of Nipissing University in a small Ontario town called Bracebridge, cottage country for the rich and famous including such stars as Stephen Spielberg, Goldie Hawn and Martin Short.  ‘I bumped into Kurt Russell at a bar once,’ she laughs. 

    Born in Picton, Ontario, her early childhood was spent in Germany as her father was a meteorologist seconded to the military. She grew up in Ottawa and met her husband by putting an ad in the Toronto Star classifieds. ‘Where are all the Alan Aldas in the world?’ she wrote.  ‘He was a feminist, he was a humorist, and he was political,’ she explains. She received 44 responses. ‘Don was in my ‘no’ pile,’ she laughs.  ‘It was my girlfriend who pulled out Don’s letter and said, ‘What’s wrong with this guy?‘  So, I wrote to him, and he wrote back and the rest, as they say, is history.’

    After a series of unsuccessful pregnancies and adoption attempts, Jan eventually privately adopted her first child, Vincent, from Brazil.  ‘It was my labour,’ she remembers, describing the painful journey that eventually led to the great joy of bringing home their first son.  ‘When he was 4, I knew I really wanted another child and so it was back to Children’s Aid to begin again. This time it was different. Now we were considered a ‘black family,’ and so it was more a case of how many do you want?  We went to the front of the line and through a progressive adoption process we eventually welcomed our second son, Omar.  I was 39 by the time he arrived, and he was like a kitten climbing the drapes.’

    Since arriving in Saint John three years ago, Jan, socially dexterous, with charming old-world manners, and an earnest desire to connect and give back, has worked with new Canadians helping them navigate and acclimate, she has become an active member of the Saint John Naturalist Society, engaging in  ‘citizen science’. and data collection, and is a member of the Lift Community Choir, singing and supporting local causes. Most days she can be found hiking or bird watching in our beautiful province in the company of her husband, Don, and her LOL dog, Siskin.

    Tell me your life story in seven sentences or less? 

    I grew up the youngest of 3 children in a loving home. I lost my father at aged 14, when he died in a British-European plane crash…no survivors.  I went to the University of Guelph and received a degree in English where I was also a Guelph Griffin, a synchronized swimmer.  I have been married to my husband Don for 38 years, after meeting him through the Toronto Star’s Companions Wanted section. I have 4 children, two stepdaughters and two adopted boys…I like to say they were all born in my heart.  I worked for 20 years as a campus administrator for Nipissing University’s Muskoka campus where I had the best students and faculty to grow along with.  I moved to Saint John three years ago at the age of 64, buying my house online, not knowing what would come next or who I would meet.

    What is the best thing about getting older?

    The best thing…is that I’ve had the opportunity to get older.  So many people don’t. Whether it’s disease or accidents or suicide…and I think maybe it’s because of Vincent (son) being ill… and family member struggles with mental health…this idea that it could end for any of us.  So just to make it this far has been great…I hope I still have many more years, but you don’t know.

    What is the worst thing about getting older?

    Feeling like I’m running out of time…and again maybe it’s because my dad died so suddenly…he was only 46, that I worry about my life being taken away from me before I’m finished doing the things I want to do.  I’ve always been a big list maker and I like to accomplish many things in a day. What’s that old expression, “I want to arrive at the graveside all dishevelled, skid in and say, ‘Wow, what a ride!’ I don’t want to sit in a lazy boy…that’s not my thing.

    If you could retain or retrieve one quality from your youth, what would it be?

    Being more playful, I think.  I grew up with this ‘What will the neighbours think?’ mentality.  So not worrying so much about what’s expected, not worrying if your socks match.  I almost didn’t give my husband a second date because he didn’t put his cutlery together on his plate.  Or when someone is coming over…are there dust balls?  I was more playful as a younger woman.  We stayed outside and played until the streetlights went out.  So, I find if I’m given an opportunity now, I try to be more spontaneous, less wary.

    What’s the most important lesson you’ve learned so far?

    I don’t know who said it to me about your impact on your environment or on the world…that a single drop of water can overflow a cistern or a well… so not to underestimate what your small gesture or your small action can do, positively. So, I try to lift others up…I need to listen more…I know that…but by listening… if others want my advice, to try and provide what is needed. I also know I need that too. So…we all struggle in life, and I guess that’s why I love the pool so much…and why we call it the ‘therapy pool.’ It’s sharing those struggles that helps us remain optimistic and hopeful. And celebrating the high notes too, like when your son asks to speak to your friend on the phone, because he knows she is important to you.

    Do you have a favourite quote?

    “Don’t tell me not to worry, the things I worry about never happen.” (Unknown author). The other thing that my mother used to say all the time that kind of ties in to that is…’this too shall pass.’  And the whole idea that anxiety happens in the past or in the future but not when you are truly here, in the present.

    Do you have a favourite word?

    I do. It’s a made-up word, it’s ‘snigg.” So my mom and my grandmom were very progressive with their use of technology…I think they were probably emailing before I was.  My mom meant to type, after a very sentimental message, the word ‘sniff’…like after a sad story, ‘sniff’.  But typed ‘snigg’ instead.  So we’ve all taken on this accidental word whenever we come across anything sentimental or that touches our heart, we’ll always write ‘snigg,’  And what’s kind of cool is that my son does it now too, so it’s a three generational thing now.

    Describe your perfect day.

    This one was a little more challenging for me, but it has to do with water…being near water, being on it, being in it…that’s where the day starts…with water.  And then learning, I’d like to learn something and whether that’s something I’ve read, something I’ve researched, gone to a lecture or a play, but something that I’ve learned.  And lastly sharing thoughts and time with friends. 

    If you could have tea with anyone, real or fictional, dead, or alive, who would it be and what would you talk about?

    So… I thought about this one and I think it would be my mom’s mom, my grandmother. She was born in 1894. I just thought she was amazing.  She was an equal partner in her marriage to my grandfather who was Professor Emeritus of Botany at the University of Alberta.  She always felt it was important to be an intellectual equal with him and provide him with companionship.  She was pretty educated for her era as well.  She attended Alma College, a liberal arts college, but she also helped my grandfather type and illustrate his work for his PhD. And she raised two amazing, strong women, my aunt and my mother.  One of the stories that sort of exemplifies her is that on her 100th birthday there was a big reunion of family and she remembered everyone’s name, what they did, what their partners did, and asked wonderful questions.  Also, that same year, she was in a nursing home at that time, and she played the Virgin Mary and was on the front page of the Victoria paper wearing her blue scarf and holding a live baby, a little brown baby.  Before she died, there was a picture of her in the pageant by her bed, and her last words to my mother were, ‘I like to look at that picture and imagine I’m holding baby Vincent.’ Snigg.

    Another story is that when she first learned that I was moving in with Don, my grandmother’s response was, ‘Does she have a prenup?’ And then, I have a gay older brother, and it was just at the peak of the AIDS epidemic when he came out and he didn’t know how she would respond, and he went to her apartment and said, ‘am I allowed to come in?’ and she just reached out her arms to him.  So, I would like to have a discussion with her around how she became so wise, beyond her years, when there was homophobia, there was racism, and women were subservient in society…what drew her to be more? What was her thought process?

    Tell me three things that bring you joy.

    Taking some risk..like joining a choir…I mean, not bungee jumping, but I guess maybe moving to New Brunswick. I think sometimes life can be too comfortable. Do you know the story about the lobster?  The whole thing about how a lobster grows…how it has to shed its shell because it’s getting too tight, and becomes very vulnerable because it doesn’t have its hard exoskeleton. It could be dashed against the rocks…but to grow it  has to shed its shell. I always loved that story.

    The other is obviously learning new things. I never thought I would be a bird watcher until I moved here.  I love the fact that we are so multicultural here too because where I used to live it was very white…boring…one dimensional.

    And then helping others…which is a big part of my experience in Africa. It started with my sister probably fifteen years ago or more when she went on her dream vacation to Tanzania, and she met a young safari guide who had dreams of owning his own safari vehicle. She befriended him and helped with a website and referring some clients and creating itineraries for guests.  The guide’s wife was a schoolteacher, but she donated her salary back to their community.  They are incredibly lovely people and wanted to do more for their village. The guide eventually became a village elder and reached out to my sister for some help, initially for water, and then for a school.  They started very small… educating the village children and then as time progressed and climate change was affecting their livestock and food, our family became more involved.

    We ended up doing a sibling safari and as part of that, my brother who is a huge permaculture believer, suggested we might bring in a specialist from Kenya who had some success there, to see if there were possibilities for the village. We thought if they could start a small farm, then they could harvest the fruits and vegetables to feed the school.  They started teaching farming skills in the school and the kids began working with the permaculture and redirecting water runoff, and within 3 months they were feeding the kids at the school. After that some of the mammas started planting as well and the school expanded, and we were able to fund kids who couldn’t afford school fees through the ones who could, and the garden was expanded to 7 acres, and they sold the extra produce.  This all happened over the course of many years but we still talk to the village the first Friday of every month. I asked them once if I could ever be a Maasai chief.  Women don’t traditionally have much position, but I was told, not long ago by that same guide who my sister befriended, ‘Jan, you’ll be happy to know, I have three women on my advisory board now.’ Helping others brings me joy…we’re a ripple in the pond.

    Name a guilty pleasure.

    I try not to feel guilty…but I do. It’s around sweet things, specifically chocolate…really good chocolate. I never feel guilt over a kitkat…I mean going out and spending a fortune on high end truffles, because it’s money for sugar.  I feel like it’s a drug and it seems so silly and petty and something I should just let go of but at the same time, as it provides me with pleasure, why should I feel guilty about it…why don’t I deserve it?

    Do you believe in life after death? What does it look like?

    Ahh…I wish I did. I believe energy leaves me when I pass.  I want to hope there is something … maybe it’s living with a scientist. I don’t think there is, but I’ve also had these things happen…and I can’t explain it …so maybe there is something beyond what we know…but I don’t know what it is.  Is it the pearly gates…I don’t think so.  When I went on my sibling safari with my brother and sister…we were in Kenya and we were sitting at a resort and this man was wandering around singing, and all of a sudden he started singing ‘You Lift Me Up’ by Josh Groban  which was my mother’s funeral song and my brother and sister and I all looked at each other…I mean…in the middle of Africa…a song so meaningful to us all.  So, it’s those kind of things, but at the same time…I don’t know.

    What would you like your eulogy to say?

    I think I would like it to say…and this is a big task but…’She left the world a little better than when she arrived.’

  • A Curated Life

    “If you want a golden rule that will fit everything, this is it: Have nothing in your house that you do not know to be useful or believe to be beautiful.” – William Morris

    “Those who commit to nothing are distracted by everything.” – Bhagavad Gita

    I’m twelve weeks into a “down to the studs” reno of my basement. We are getting there…almost ready for paint and wallpaper …yes…that’s right…I said wallpaper. I happen to like wallpaper…just not the 50 year old striped job that lined the stairwell leading from my kitchen to the lower level of our home. I’ve hated that patterned stairwell since we moved into the house almost fifteen years ago. That’s a long time to abide an abhorent passage in your home. So…ankle deep into quasi-retirement, and my baby moving out to a beautiful space of her own; it’s got me thinking about embracing a less lackadaisical, more curated life. I refer here not only to my immediate setting, and decor choices in my home, but also to a more bespoke aproach to everything I allow entry into my mental and physical space. How we spend our time and who we choose to spend it with are weighty considerations indeed, particularly as the sands of time accelerate through the LOLIW hourglass.

    I am a woman who has always known what she loves. I’m never at a loss for how to spend my time. My baseline is reading in bed, followed closely by reading upright in well lit rooms, rooms with doors to discourage the detritus of day to day discourse. Toss in a daily walk, a few writing hours, and few games of pickleball (a smattering …mind), and maybe a sprinkling of meaningful communication with friends and family and you have the basic components of my perfectly appointed life.

    It won’t surprise you to learn that with respect to decor I like to sit in spaces that smell and feel like 19th century reading rooms. Jane Austen meets functional, animal-friendly, old-world elegance and comfort, with Rembrandt lighting in the shade of expensive cognac and furniture made to last let us say, longer than me. I like plain lines…nothing busy…smalls piles of books in every conceivable nook, and walls overfilled with art that makes me think and feel.

    Approaching 60 it seems long past time to take charge of my decor and embrace a more curated lifestyle. With more time at home to play and ponder and be, its important to invest in our space and make it conform to our notion of how to live well. Out with the acquired furniture that found its way into every corner of the basement (granny’s telephone table, the uni trunks, the side tables the dogs used as chew toys, the wedding art, the chairs I reupholstered one time too many…gone). What would your space look like if you started from scratch… what gets to stay, what gets dumpstered in the night?

    To curate is to carefully gather sift, choose and organize so that everything is handpicked, assembled, and edited by you. This might mean the dedication of an old bedroom to a fly tying workshop or a yoga studio or a writing room. The downstairs grand room might be reworked as a cozy british bar, or a working library, or a music or pottery studio. Adult spaces like day nap chaise-lounges in light colours might be positioned near full window walls for stargazing with telescopes or simply to watch the dancing autumnal leaves or the spring rains pelting your garden seedlings to life, or the magical snow that falls on Christmas eve.

    Of course lighting is everything… my mother taught me that. She liked rose tinted bulbs for evening ambiance, strong enough to read by in the after dinner hours but not so bright you can see the skin wrinkles on your LOL hands as you turn the pages…its a delicate balance ladies. A comfortable seat by the fire built for you and yours is essential for the long Canadian winters, perhaps a dartboard, a drinks cabinet… you get the idea. It’s time to focus less on containment of mess and sticky fingered childrearing chaos, and more on zones of comfort and joy for the soft bellied adults who remain. Don’t forget a posh pillow for the geriatric dog.

    Take your time visioning how to create yout LOL space.. explore your options…think about what you want your home to provide now, and build it from the inside out. There are no design rules that can’t be broken except one, namely, abandoning your own ideas on beauty and functionality. This is your home we’re speaking of, you have only yourself to please so if you want to string eddison lights from the rafters, share space with too many plants or cats or books, create an industial feel by painting the piping black or steel coloured… do it. If you want to showcase some macabre collection of antique surgical instuments or early century pharmaceutical elixirs (weirdo), now is the time to make your space into a reflecting pool for all your darlings. An invitation to your home should always feel like an invitation to you.

    Outside your home it’s equally important to curate the spaces you decide to inhabit. In rertirement if you don’t decide how you’ll spend your time, others, well meaning friends and colleagues, will ensnare you in their version of a life well lived. The siren call of casual work, the escalating addictive properties of pickleball, best resticted to promote injury preention, the silent scream of the sour dough starter and its incessant demand to be fed. That little white bread baby isnt the boss of me.

    A few years ago I read a little book called “The Subtle Art of Not Giving a Fuck” which espoused a pretty basic but essential philosophy with respect to time management and boundaries. Summarily, the author suggests that in an age where we are inundated with information and competing demands on our attention, and very often incompacitated by overstimulation and endless options, its important to decide to live deliberately and in accordance with a few key individual values and interests and spend our time and ultimately, our lives, accordingly. The book advises adopting a maximum of 5 things to give a fuck about. Thats not a lot if family and healthy living are 1 and 2. If reading, writing and pickle ball are my 3,4,5 then maybe maybe pottery and painting, knitting and felting, are curated out of my daily living line up…at least this year. Every LOLIW must choose how best to spend their time. Maybe you’ll make your garden and greenhouse your second home from May to September, perhaps you’ll join a rug hooking guild or a choir or an arts collective during the long winter months. Let your interests drive your pursuits and don’t be cajoled, or convinced to spend your time in settings that don’t meet your individual criteria for comfort and joy.

    A quick comment on mental space. I live so much of my life in my mind it’s important for me to dine on a steady diet of images and words that resonate with meaning. I hold space for vetted novels and films and converations with new and old friends who know secret things. Stories and stimuli that bring comfort and joy and occasionally cast out to higher things. While I have just as much of an unseemly fascination with Ed Gein and his skin suit pursuits and niche decorating vibe, I’m not sure I need to absorb the 8 episode narritive of the man who was the inspiration for Psycho, The Chain Saw Massacre and Buffal Bill. I mean I guess he didnt eat anyone …so thats good…right? My point is that curating that series out of my mental space and protecting my inner sanctum and sleep hygiene is probably for the best. I don’t need a visit from Gein in my dreams at night. But if real crime horror is your LOL jam, maybe Ed Gein gets a pass.

    You are the gatekeeper of your mental and physical space. Guard your boundaries, with knitting needles if need be. Allow entry only to what you decide to give a fuck about. Design a space and a life dedicated to your passions… an art room…a dream kitchen…a library…a pocast studio… a music room. It’s waiting for you beneath the debris of a lifetime of collecting the residue of other people’s idea of how to live well. So if you’ve been neglecting your mental and physical space like I have, begin an inventory of everything that you find beauty and comfort in, then drag the rest to the curb and begin again, consulting no one but your own inner curator. I believe you’ll find her taste is unerring.

  • On the Merits of Becoming a Maker

    “Every child is an artist.  The problem is how to remain an artist once he grows up.” – Pablo Picasso

    “When my daughter was about seven years old, she asked me what I did at work.  I told her that I worked at the college – that my job was to teach people how to draw.  She stared back at me, incredulous, and said, ‘You mean they forgot?’”     – Howard Ikemoto

    On the recent occasion of my 59th birthday I signed myself up for a workshop on the ancient art of Japanese book binding. I’m not what you would call ‘crafty’, at least not in that sense of the word… a maker of things. I’ve never successfully knit a whole sock, my Christmas decorations come from Canadian Tire, and my sour dough starter-baby died of neglect…twice. I thought it might be the right time to reawaken my inner maker and so, accompanied by my daughter, an artist with a defined skill set, we entered a beautiful old heritage building, the library of my youth, and found seats on the second floor, which once housed the reference section. (For my Zoomers, I refer here to a time before almost every academic question could be answered with a thumb scroll on your smart phone, from the comfort of your couch.)

    We little old ladies in waiting may not have had to walk 10 miles to school through drifts of snow as tall as we were (Boomer narrative), but we did have to leave our homes to look for the answers. We juggled 50-pound encyclopaedias searching for the illusive truth or some reasonable facsimile.  We took notes in an ancient script called cursive.  It was the dark ages kids, before the information age and the internet, before group work started trending and you could pawn the research part off on the kid who would rather disembowel himself than speak in public. 

    But I digress…awkward segue back to the book binding workshop, the setting for a timely and reflective lesson in humility and a powerful endorsement of the restorative power of making art. We were provided with all the necessary materials including what looked like a small ice pick or a long sharp little doorknob. I believe the proper term is an awl, and we were advised not to use it if we weren’t confidant in handling the tool.  ‘Look for a helper’ the instructor advised, making direct eye contact with me as she did so.  I tried not to take it personally, but it did take a little of the glitter off my crafting confidence. I’m happy to report that I wielded that awl like a card-carrying Cape Breton craft guild member.  No blood was lost, and at the end of the day, my paper was pierced to a standard capable of being assembled in a perfectly adequate journal.

    There were a few challenges of course. The eye of my sewing needle was too small to see, my thread refused to cooperate, I may have been overzealous with the glue, and at one point I fell so far behind in the binding instruction I was forced to go freestyle.  I looked over at my daughter for clarification but, after accurately assessing the situation, she shook her head and whispered “I can’t help you” with a smug little art-savvy smile on her face.  I sensed some residual anger about wasting a high UV summer afternoon in musty smelling rooms. There was definitely a mean-girl twinkle in her eye as she effortlessly wove her journal together, her hands adept to any artistic enterprise.  In the end, the teacher took pity on me and salvaged my journal.  I was… accommodated.  It was my birthday after all, and I wasn’t leaving without a finished product.

    A few hours later, sitting by the sea with my bestie, a very successful artist herself, attempting to salvage a little birthday esprit with a few pre-dinner cocktails (code name beach walk), I began to unpack the experience and consider the merits of engaging in art for its own sake, process over product.  How did it feel to create something ? I hand crafted a beautiful journal, with complete artistic control over design and construction…well, maybe not complete control… but every choice, every small flaw or mistake, was my own. It felt…nourishing, making something from scratch, even with unpracticed, non-nimble hands. Cultivating your inner maker feels a lot like play. It’s like leaving your mind for a time and living only in your hands. You spend a few hours purposefully, intentionally, unplugged and unreachable, and when playtime is over you have this lovely little objet d’art, perfectly imperfect, bespoke, hand crafted, and all by you, a maker in the making. 

    In today’s highly specialized world, unless you work as an artist or maybe an entrepreneur, we have, as individuals, lost touch with what it feels like to conceive, design and produce a finished product completely on our own.  Most of us are cogs in the machinery of industry.  We contort ourselves to fit the spaces defined by the job market.  We make ourselves small to succeed as cogs and move up the ladder to coveted cog spots, perhaps with a corner cog office, but in the end, unless you are designing your own work and workday, whether your uniform is a set of scrubs, a pair of overalls, or a thousand-dollar suit, it still says cog in the small print of your contract.

    In Ancient Greek mythology, Procrustes was a thief who offered travellers a bed for the night and then stretched those too short, or cut off the limbs of those too long, to make them fit the bed’s dimensions.  In many ways I feel like I’ve been sleeping on a Procrustean bed my entire working life, perhaps earlier if we consider the public school system as pre-employment prep, conditioning children to conform to an unnatural or arbitrary standard, “a veal-fattening pen” (Copeland) for the cog culture.

    As a quasi-retired, little old lady in waiting, I’m more than ready to embrace the artisan in me. I’m interested in work of my own choosing, designed, and created entirely by me. While I may never be a master book binder, I’m not ready to abandon the maker mindset quite yet. I think a fiber art class in the Fall might suit, or perhaps a creative writing assignment to chip away the icy cold months of the long, reclusive Canadian winter.  I remember enjoying drawing and painting as a younger woman and I may still have all the tools needed to make a cosy east-cost hooked rug, art to keep out the cold. 

    The experience of engaging in making art is tremendously satisfying, especially if your inner maker has been starved to the point of mummification.   I propose making artist dates with yourself: writing morning pages, evenings of experimental cooking, or maybe even acquiring a knitted sock mentor.  Treat the artist within like an honoured guest who inspires and delights and brings out your highest self.   What I’m suggesting is pursuing a path of gentle exploration to set you inner maker free.  Above all, and this is crucially important, never… ever allow your left-brain critic to cut its razor sharp teeth on your vulnerable right-brain art, with its practiced vivisectional rigor. 

    Making art is a clarifying experience.  It opens us and illuminates everything we are inside. The art we produce as little old ladies in waiting may never pay the electric bill, but becoming a maker is an investment in yourself that pays incalculable returns. For me, good art elicits emotion and deals with questions of meaning.  Likely too high a bar for evaluating one’s own artwork.  I’m pretty sure none of my experiments in becoming a maker will ever garner any critical praise. What I do know is that consummating the creative impulse is an immensely pleasurable and stirring experience and one this maker in the making plans to chase habitually and unreservedly.