Little Old Lady … in Waiting

Tag: little old lady

  • On the Merits of Becoming a Maker

    “Every child is an artist.  The problem is how to remain an artist once he grows up.” – Pablo Picasso

    “When my daughter was about seven years old, she asked me what I did at work.  I told her that I worked at the college – that my job was to teach people how to draw.  She stared back at me, incredulous, and said, ‘You mean they forgot?’”     – Howard Ikemoto

    On the recent occasion of my 59th birthday I signed myself up for a workshop on the ancient art of Japanese book binding. I’m not what you would call ‘crafty’, at least not in that sense of the word… a maker of things. I’ve never successfully knit a whole sock, my Christmas decorations come from Canadian Tire, and my sour dough starter-baby died of neglect…twice. I thought it might be the right time to reawaken my inner maker and so, accompanied by my daughter, an artist with a defined skill set, we entered a beautiful old heritage building, the library of my youth, and found seats on the second floor, which once housed the reference section. (For my Zoomers, I refer here to a time before almost every academic question could be answered with a thumb scroll on your smart phone, from the comfort of your couch.)

    We little old ladies in waiting may not have had to walk 10 miles to school through drifts of snow as tall as we were (Boomer narrative), but we did have to leave our homes to look for the answers. We juggled 50-pound encyclopaedias searching for the illusive truth or some reasonable facsimile.  We took notes in an ancient script called cursive.  It was the dark ages kids, before the information age and the internet, before group work started trending and you could pawn the research part off on the kid who would rather disembowel himself than speak in public. 

    But I digress…awkward segue back to the book binding workshop, the setting for a timely and reflective lesson in humility and a powerful endorsement of the restorative power of making art. We were provided with all the necessary materials including what looked like a small ice pick or a long sharp little doorknob. I believe the proper term is an awl, and we were advised not to use it if we weren’t confidant in handling the tool.  ‘Look for a helper’ the instructor advised, making direct eye contact with me as she did so.  I tried not to take it personally, but it did take a little of the glitter off my crafting confidence. I’m happy to report that I wielded that awl like a card-carrying Cape Breton craft guild member.  No blood was lost, and at the end of the day, my paper was pierced to a standard capable of being assembled in a perfectly adequate journal.

    There were a few challenges of course. The eye of my sewing needle was too small to see, my thread refused to cooperate, I may have been overzealous with the glue, and at one point I fell so far behind in the binding instruction I was forced to go freestyle.  I looked over at my daughter for clarification but, after accurately assessing the situation, she shook her head and whispered “I can’t help you” with a smug little art-savvy smile on her face.  I sensed some residual anger about wasting a high UV summer afternoon in musty smelling rooms. There was definitely a mean-girl twinkle in her eye as she effortlessly wove her journal together, her hands adept to any artistic enterprise.  In the end, the teacher took pity on me and salvaged my journal.  I was… accommodated.  It was my birthday after all, and I wasn’t leaving without a finished product.

    A few hours later, sitting by the sea with my bestie, a very successful artist herself, attempting to salvage a little birthday esprit with a few pre-dinner cocktails (code name beach walk), I began to unpack the experience and consider the merits of engaging in art for its own sake, process over product.  How did it feel to create something ? I hand crafted a beautiful journal, with complete artistic control over design and construction…well, maybe not complete control… but every choice, every small flaw or mistake, was my own. It felt…nourishing, making something from scratch, even with unpracticed, non-nimble hands. Cultivating your inner maker feels a lot like play. It’s like leaving your mind for a time and living only in your hands. You spend a few hours purposefully, intentionally, unplugged and unreachable, and when playtime is over you have this lovely little objet d’art, perfectly imperfect, bespoke, hand crafted, and all by you, a maker in the making. 

    In today’s highly specialized world, unless you work as an artist or maybe an entrepreneur, we have, as individuals, lost touch with what it feels like to conceive, design and produce a finished product completely on our own.  Most of us are cogs in the machinery of industry.  We contort ourselves to fit the spaces defined by the job market.  We make ourselves small to succeed as cogs and move up the ladder to coveted cog spots, perhaps with a corner cog office, but in the end, unless you are designing your own work and workday, whether your uniform is a set of scrubs, a pair of overalls, or a thousand-dollar suit, it still says cog in the small print of your contract.

    In Ancient Greek mythology, Procrustes was a thief who offered travellers a bed for the night and then stretched those too short, or cut off the limbs of those too long, to make them fit the bed’s dimensions.  In many ways I feel like I’ve been sleeping on a Procrustean bed my entire working life, perhaps earlier if we consider the public school system as pre-employment prep, conditioning children to conform to an unnatural or arbitrary standard, “a veal-fattening pen” (Copeland) for the cog culture.

    As a quasi-retired, little old lady in waiting, I’m more than ready to embrace the artisan in me. I’m interested in work of my own choosing, designed, and created entirely by me. While I may never be a master book binder, I’m not ready to abandon the maker mindset quite yet. I think a fiber art class in the Fall might suit, or perhaps a creative writing assignment to chip away the icy cold months of the long, reclusive Canadian winter.  I remember enjoying drawing and painting as a younger woman and I may still have all the tools needed to make a cosy east-cost hooked rug, art to keep out the cold. 

    The experience of engaging in making art is tremendously satisfying, especially if your inner maker has been starved to the point of mummification.   I propose making artist dates with yourself: writing morning pages, evenings of experimental cooking, or maybe even acquiring a knitted sock mentor.  Treat the artist within like an honoured guest who inspires and delights and brings out your highest self.   What I’m suggesting is pursuing a path of gentle exploration to set you inner maker free.  Above all, and this is crucially important, never… ever allow your left-brain critic to cut its razor sharp teeth on your vulnerable right-brain art, with its practiced vivisectional rigor. 

    Making art is a clarifying experience.  It opens us and illuminates everything we are inside. The art we produce as little old ladies in waiting may never pay the electric bill, but becoming a maker is an investment in yourself that pays incalculable returns. For me, good art elicits emotion and deals with questions of meaning.  Likely too high a bar for evaluating one’s own artwork.  I’m pretty sure none of my experiments in becoming a maker will ever garner any critical praise. What I do know is that consummating the creative impulse is an immensely pleasurable and stirring experience and one this maker in the making plans to chase habitually and unreservedly.

  • The Reading Room – Issue 2

    “If a book is well written I always find it too short.”

    Jane Austen

    A book review is a highly subjective exercise and so, in the interest of full disclosure, as a Little Old Lady in Waiting, I know you won’t be surprised when I tell you that I like little old lady subjects and settings. I like my people past their prime and living by the sea or someplace equally sublime. I like subtle, nuanced, tender narratives with a philosophical bent and characters who feel like friends I’d like to know. People who have lost important relationships and parts of themselves, and know its possible to keep on existing…people who understand that ghosts are real…people who have paid a price for their place in the story. Layer in fresh, visceral language that routinely makes you stop to reread or recalibrate your breathing and I’ll stay with you untill the very end, and when it’s over, I’ll take a little piece of you with me.

    The rating system I assign is roughly as follows:

    10/10 – The illusive unicorn. “Your heart understood mine”

    9/10 – I loved this book, it changed me in some way

    8/10 – Great read. I’m still thinking about it

    7/10 – A good read. I’d pass it to a friend

    6/10 – Adequate I suppose

    5/10 – Flawed in some subtle but no less dissapointing way

    4/10 – Major story flaw (cardboard characters, poor pace, sledghammer story-craft)

    3/10 – The author has failed the reader, the editor should be escorted from the building

    2/10 – No… just no

    1/10 – I will never get those hours back

    I have long admired the personal and professional life of Agatha Christie. I’m a fan. I’ll read anything about her work and career and so when I discovered The Christie Affair in a used book store it was a little like finding a thrift-store cashmere cardi in a colour that suits. The Christie Affair is Nina de Gramont’s first novel and takes as its subject the eleven days that Christie went missing and the marital discord that immediately proceeds it. In the novel, Chistie’s husband, Archie, is conducting an affair with a younger, Irish woman named Nan O’Dea who reads like Saoirse Ronan from the film Brooklyn , a clever compassionate character that carries the story in many ways, and has a compelling back story of her own. The book becomes a multi layered mystery to be solved, complete with a war weary police detective, a tragic love story, and a satisfying tale of revenge. I loved the characters, the post war UK setting and the glimpse into Christie’s private world. 7/10

    There was a lot of buzz about this book on social media and a sequel already in print, so I picked up a copy of this novella for a vacation read. It’s marketed as a transformation story of a young woman who drops out of her life and spends a year reading in the cramped upstairs quarters of a family run second-hand bookstore. A perfect story premise for a bookish woman of any age. Set in Tokyo, the heroine of the book is a love spurned 25 year old named Takako, a non-reader, immersed in a hip deep depression post a humiliating break up, when she accepts the invitation of her eccentric uncle to live and work at the Morisaki bookstore. This is Yagisawa’s debut novel and it did not deliver on any level. The characters are unsympathetic, the story line is non existent, even the theme, ostensibly the joy of reading as a transformative experience is poorly executed. The most generous thing I could write is that any merit or charm Yagisawa may have conjured in his original work is wholly lost in translation. 1/10

    Peggy is the fictionalized portrait of Peggy Guggenheim, American heiress, art collector and feminist icon who begins life as a New York debutant and becames embroiled in the bohemian Paris of the 1920s, dallying with the likes of James Joyce, Emma Goldman and Samual Beckett. Peggy, begun by Rebecca Godfrey who passed away in 2022, was finished by the author’s good friend, Leslie Jamison and in some ways the story does feel like two separate books. The heiress is portrayed as a poor little rich girl who suffers the loss of a beloved father who goes down with the Titanic, a dear sister who dies in childbirth, and a son lost via a dissolved marriage with an abusive, parasitic poet. She is snubbed by an anti-semetic society as a Jewess, and ridiculed in the boheniam art world as little more than “a wallet.’ Despite her millions she has the reader’s sympathy as an intelligent, philanthropic outsider with a keen understanding and appreciation of the post war modern art movement. This fictional biography is an interesting look into the elite world of early 20th Century New York aristocracy as well as post WWI Paris and the intellectuals who mingled there and became known as the lost generation. 6/10

    Depressed mid 40’s academic, Phoebe Stone, distraught after her husband leaves her for another woman, her career stalling, her geriatric cat found dead at home, decides to treat herself to an expensive evening gown and a posh holdiay at a decadent hotel, all with the intention of killing herself. A dark tale indeed, except Espach’s voice is so intelligent and noir comic that the reader tags along despite the downer of our heroine’s final destination. Enter the wedding people who descend on the hotel as the only other guests and, despite their annoying, narcissistic and waspish ways, they ineveitable disarm, distract, and detour our hero’s journey. The setting, Newport, Rhode Island, is a charming backdrop to Espach’s first novel, but the real winner is her smart heroine whose thoughts, suicidal and otherwise are always authentic and relatable and rife with literary references that appeal to readers who are fans of the Brontes and Virginia Woolff. A great book to pass to a friend with a Litt degree and an appetite for a dark night of the soul. 7/10

    Anne Lamott’s book, Help Thanks Wow is a call to prayer as well as a prayer tutorial for the uninitiated and the out of touch. It is a book about gratitude and finding perspective and it is an invitation to cultivate a state of wonderment. Lamott’s simple, comical and self deprecating style could charm even the most determinined non-believer. She keeps it simple, three one word prayers to recite, to hold fast through the tough times, and to stay mindful and intentional through the mundane everyday; to look for the good, and experience all the beauty that lies in wait for us if only we have the eyes to see it. I found Lamott’s style and non-denominational approach inviting and pragmatic. She didnt alienate her readers with old fashioned God talk, “asking an invisible old man to intervene.” She understands there are no words for the ‘broken hearts of people losing people’; there is no fixing the unfixable. But prayer as a spiritual experience, a one word incantation that helps you become more generous, more patient, more kind to yourself and others, there surely can be no harm in such a practice. I loved Lamott’s comical, tender, and real life prayer book, made for misfit souls of all ages. 7/10

    Julia Cameron, best known for her book , The Artist’s Way, delivers a comparable artistic toolbox for writers who work with story craft, routinely tackling the often intimidating blank page to create meaning and art. The Sound of Paper is essentially a workbook with a series of exercises and disciplines designed to open the creative narrative approach, so often stymied by a writers own critical voice, that values product over process and atacks fledgling writing projects before they’ve had a chance to mature. Cameron’s writing drills are designed to explore and develop your authentic voice, to place emphasis away from a perfect script, with a series of self care indulgences that cultivate a safe space for creative work, and structured play projects designed to reignite a love of writing. Daily rituals include walking, and morning pages, and being open to the idea of working poorly, breaking free of the ego’s need to be brilliant, and instead contenting ourselves to being functioning wordsmiths, with the freedom to embrace new forms. This is a perfect gift for any writer looking to learn or advance her craft. 8/10

    Emilia Hart’s Weyward, chronicles the lives of three Weyward witches, separated by generations but related by blood; the three principle characters include , Altha, on trial for witchcraft in the 16th Century, Violet, at the mercy of an opportunistic father and an unscrupulous suiter in the 1940s, and Kate, the victim of present day domestic violence. Their stories highlight a history of patriarchy and misogeny that targets powerful women and condemns or attempts to harness that power. I’ve always enjoyed a good witch story, ever since I watched Bell Book and Candle with Kim Novak and Jimmy Stewart. The Weyward witches are more like botanists with animal familiars, less broomsticks and incantations. The book is at its best drawing attention to the understated, undocumented power that exists between women, “the most feared…and the most potentially transforming force on the planet.” The story’s pace is a little slow moving in the first half, and the book reads a bit like three separate novellas with tie-ins too carelessly woven, and coming too near the book’s close. I have read better witcherature and while Hart’s story gets a passing grade, it didnt put a spell on me. 6/10

    I read this book several years ago but as it is always on my night stand and as I am continuously rereading passages, a review seems in order. I have recommended this book to many, many friends, particularly those who have experienced their first ‘shot across the bow’, a personal health scare, and have come face to face with their own mortality. If I still have the capacity to read and understand this book’s ancient teachings as I lay dying, this will be the last book I hold . I take great comfort in its thesis that what we are has no beginning and no end…what was never born may never truly die. I can hear the critique of my scientific rationalist friends prpeparing their remarks as I write, but the little old lady that waits in me, made peace with Pascal’s wager decades ago.

    I Am That was first published in 1973 and is a collection of teachings from the great Hindu spirtitual teacher and seer, Nisargadatta Maharaj. This book takes its title from the Upanishads and delves into who we reallly are, “nothing perceivable, or imaginable,” and is a guidebook to cultivate an awareness of our natural state. Topics include acceptance, the way through pain, a ‘do no harm’ discipline and is a call to “wake up” from the daydream that enchants us. Reading this book is like donning a cloak of grace or a cape that insulates us from fear of death. I cannot recommend it highly enough, particularly for readers who have received a disappointing diagnosis and believe their time is finite. 9/10

  • In Conversation with Dr. Margaret Anne Smith

    I sat down with Margaret Anne Smith at a local coffee house with a reputation for good lattes and a spectrum of social justice projects that support many marginalized members of our community.  It seemed a fitting setting for a conversation with a woman who is, among other things, an advocate for the disenfranchised, sitting on the board of a harm reduction enterprise that supports people living with addiction.  Margaret Anne Smith holds a PhD in English Literature, specializing in 20th Century poetry, and has taught her entire career in the post-secondary setting.  She is an academic, a teacher, a poet, and a fiber artist.  She is married, a mother of two, and has the sort of old-world integrity and essential goodness that makes you believe that we are not without hope, no matter what unbelievable chicanery we witness daily on the evening news.  As I listened to her speak, I couldn’t help thinking of the power of a single individual to effect great change in the world around her, especially one armed with a sharp analytical mind trained to notice what others do not see, and gifted with a clear, insightful voice to ask the right questions.  She is currently at work on a book of poetry that celebrates local coastal beauty and lure.  It is a collection I very much look forward to reading someday.

    Tell me your life story in seven sentences or less? 

    I grew up in Saint John and…same sentence… moved back here on purpose, after spending a dozen years away.  I love my extended family and friends. I have been married to David for 36 very good years. We have two great kids. I live near the Bay of Fundy. I am a teacher. I am a reader and a writer.

    What is the best thing about getting older?

    Learning…I was going to say discovering, but it’s not like a momentary discovery, there is no switch that flips, there’s no ‘aha moment’… it’s a gradual process of learning what I care about. And the other side of it, is learning what I don’t give a fuck about, and that list has changed with time.

    What is the worst thing about getting older?

    Joint pain and not being able to see as well as I want to in my 50s. That’s the part that surprised me, the pain came so much earlier than I anticipated.  I’m on the cataract waiting list which depresses me, but I look forward to losing the heavy progressive lenses.

    If you could retain or retrieve one quality from your youth, what would it be?

    My knees and my feet to be honest.  It’s not my optimism…it’s not my hope, it’s not my energy level I’m worried about losing …it’s my joints. I had envisioned at this age, those walking trips in Europe, but there’s no chance.  I couldn’t physically do it… it’s my knees. I want to be able to hike for ten kilometers and I just can’t.

    What’s the most important lesson you’ve learned so far?

    I think it’s probably learning the difference between spending your energy on things you cannot change and spending your energy on things you can.  And that exists on several levels   So there are things that maybe I cannot change about myself,… my feet hurt, I can’t take a walking trip across Ireland. Ok…goodbye to that idea, and now what can I do instead? Because I think spending your energy on things you can’t change makes you bitter, and we don’t want to be bitter little old ladies in waiting… because it would be easy, wouldn’t it?

    So that’s personal, so now let’s take it to the next level to the people in my circle.  There are certain things I can’t change, and you can invest in those relationships but there are some things you just absolutely cannot change.  I like Glennon Doyle’s Podcast?  It’s called “We Can Do Hard Things”.  It’s American and its funny as hell, and they interview  a lot of interesting people and one of the great episodes is about  how to fortify yourself for the holiday season in terms of dealing with your family and expectations.  A great piece of advice he gives is ‘Be not surprised’ because you know Uncle Bob is going to go down the same road he took last year, so don’t be outraged and horrified by it, just adopt an attitude of ‘yeah, whatever, I still love you,’ when people behave in ways they have always behaved, ‘be not surprised.’

    Jewel has a song I really like from 1998, I’m dating myself here, it’s called Life Uncommon. She says ‘no longer lend your strength to that which you wish to be free from.”  It’s about using your voice and that  speaks to me now…where do you use your energy… where do you use your voice.

    The other part of that question is what you do about the global piece and that is much more difficult right now.  I try to be selective and pick the bite-sized things that I can do.  I joined the Board of Avenue B that operates on a harm reduction model.  I have no lived experience with addiction myself, or in my circle, but I thought I can be on the board.  I’m good at policy and procedure…and I try to make choices with some integrity. I don’t live in a tent, I’m not a drug user, but l am devastated by the inhumanity that’s everywhere in our cities and small towns now and how people are being treated so badly and left out.  We talked about water fountains at the meeting last night.  If you were thirsty and unhoused…where do you go?   

    Do you have a favourite quote?

    Yes, it’s a quote by Vaclav Havel.  I like it because he distinguishes between hope and optimism. It’s a quote from his time in prison.  His language is beautiful of course, but for me the beauty is that he isn’t saying, it will all be fine…because so often it is not fine. He takes hope from being a big cartoony rainbow thing and makes it real.

    “The kind of hope I often think about (especially in situations that are particularly hopeless, such as prison) I understand above all as a state of mind, not a state of the world. Either we have hope within us, or we don’t; it is a dimension of the soul; it’s not essentially dependent on some observation of the world or estimate of the situation. Hope is not prognostication. It is an orientation of the spirit, an orientation of the heart; it transcends the world that is immediately experienced, and is anchored somewhere beyond its horizons.

    Hope, in this deep and powerful sense, is not the same as joy that things are going well, or willingness to invest in enterprises that are obviously headed for early success, but, rather, an ability to work for something because it is good, not just because it stands a chance to succeed. The more unpropitious the situation in which we demonstrate hope, the deeper that hope is. Hope is not the same thing as optimism. It is not the conviction that something will turn out well, but the certainty that something makes sense, regardless of how it turns out. In short, I think that the deepest and most important form of hope, the only one that can keep us above water and urge us to good works, and the only true source of the breathtaking dimension of the human spirit and its efforts, is something we get, as it were, from “elsewhere.” It is also this hope, above all, which gives us the strength to live and continually to try new things, even in conditions that seem as hopeless as ours do, here and now.”

    Do you have a favourite word?

    Sea…as in the ocean. The word sea represents all kinds of things metaphorically but for me it is both a personal, and local place of refuge…it always has been …since I was old enough to ride my bike off the cliff, which I did by the way…I was a free-range kid in West Saint john.  I might edit that out for my mother.

    There is something timeless about the sea… I love the rhythm, I love the sound.  It’s also a metaphor for connection, wrapping around the globe, and it’s a measuring stick for what we are doing to the planet which is a big concern for me.  I think because we can see the trees being cut down and we can see the trees on fire on tv, it’s a little harder to ignore, but we could go to Bayshore this morning and think all is well…and it’s not.  We need to pay a bit more attention… we need to pay a lot more attention. 

    Describe your perfect day.

    Sunshine. Great coffee. The ocean.  My husband and my kids and their partners and nothing planned. 

    If you could have tea with anyone, real or fictional, dead, or alive, who would it be and what would you talk about?

    Given the state of the world, I want to sit down with Greta Thunberg.  Three reasons.  She is young and we need to listen to the younger voices, about everything. I mean look at where the power is…still in the hands of old rich white guys and that has to change.  Secondly, she is willing to make incredible sacrifices for the future. I’m interested in asking her, why, what do you see, what do you envision, what are you giving up and what are you giving it up for?  Three would be the climate crisis, it’s going to cook us and were pretending it’s not.  I want to talk about that.

    Tell me three things that bring you joy.

    Real conversations.  Real, not honest, because even honest conversations have a few lies in them.

    David, Kevin, and Maureen …from the beginning all the way to this morning.  So much joy in that little family of mine.

    Time outdoors.  Some of it goes back to the free-range childhood.  Total freedom.  It might have been an illusion, or it might have been quite real, that no one was paying any attention to us kids.   We were free, and time outdoors reminds me of my freedom.  Also, as an artist I appreciate the changing light and the shadows cast by the sun and the changing colours of the season.  My shoulders lower when I step out the door.

    Name a guilty pleasure.

    Ice cream. Too much fat, too much sugar but it hasn’t made me give it up.  It’s a favourite treat.

    Do you believe in life after death? What does it look like?

    I do believe in life after death, but I don’t know what it looks like.  And I don’t even have an assumed visual. I think when I was young, I did have an idea that was based on a religious tradition…heavenly gates…clouds. So now I think there is so much beauty and goodness, despite the horrors, and I don’t think those things can just come to an end.  There has to be something else.  My sense of what that is has changed, because I think there is something else for the right whale as well, and for the pigeon on the roof… that we’re all part of this interconnectedness that we can’t really, fully appreciate now and maybe our great joy in the afterlife is coming to understand what that interconnectedness means.   

    What would you like your eulogy to say?

    I boiled it down to two things. First, I want my children to write it, and I trust them. Second, and how’s this for a mothers’ control, I hope they would say that they saw that I remained engaged until the end of my days.  I don’t like the word engaged… maybe passionate, passionate is better, engaged is so psycho-ed, or maybe that I cared, but that’s too Hallmark.  Passionate works, and passionate about what doesn’t really matter…maybe when I’m 80 I’ll be passionate about my pansy collection.